Intrinsic Elements
Analysis:
Imagery,
Understatement, and Allusion in John Keats “Modern Love” by Clara Ariski
Abstract
In this paper the author
tried to analyze “Modern Love” by John Keats. The purpose is to analyze and
understand the meaning beyond the words in the poem. Theories that used are
textual, cotextual, and hypertextual by close reading method. The writer found that
this poem is dominated by kinesthethic imagery, auditory imagery,
understatement and references to iconic character. In conclusion, “Modern Love”
by John Keats is easier to understand by analyzing the intrinsic elements.
1. Introduction
According
to Laurence Perrine in Sounds and Sense (1969:3), “Poetry might be defined
as a kind of language that says more and says it more intensely than does
ordinary language”. In
addition to that, William Flint
Thrall and Addison Hibbard in A
Handbook To Literature (1960:341), define poetry “A term applied to the many forms in which human
beings have given rhythmic expression to their most imaginative and intense
Perceptions of the world, themselves, and the interrelationship of the two”. From those
explanation, the writer conclude that poetry is a literary work that conveys
meaning beyond the words and can be understood with sense of feeling. While in
poetry analysis, we will find out the poet's intention in writing the poem in critical way. The writer uses the poem Modern Love by John Keats to be analyzed. "Modern Love" by John Keats
giving a new definition of love. The title shows that love is developed into
newer version from the traditional one and expressed with intrinsic elements.
2. Methodology
1. Analyzing the using of imagery in the
poem.
2. Analyzing the using
of understatement in the poem.
3. Analyzing the using of allusion in the
poem.
3. Research Object
The
objects of research are sorted into a material and formal object. Material
object in this study is “Modern Love” by John Keats. Formal object of this
research is intrinsic elements in this poem.
4. Biography and Poetry
4. 1 Biography of John
Keats
John
Keats (1795-1821) got his education at the Reverend John Clarke's private
school at Enfield. He became an apperentince surgeon in 1811,
and continued his medical studies at Guy's Hospital, London. Later,
he abandoned his career and focussed on poetry. His popular poems are Hyperion (1818), The
Eve of St Agnes (1819), La Belle Dame sans Merci, the major
odes, Lamia, and Fall of Hyperion. In July, his
declined health made him went to Italy to seek milder climate because of
tuberculosis and died in Rome.
Modern Love by John
Keats
And what is love? It is
a doll dress’d up
For idleness to cosset,
nurse, and dandle;
A thing of soft
misnomers, so divine
That silly youth doth
think to make itself
Divine by loving, and so
goes on
Yawning and doting a
whole summer long,
Till Miss’s comb is made
a pearl tiara,
And common Wellingtons turn
Romeo boots;
Then Cleopatra lives at
number seven,
And Antony resides in
Brunswick Square.
Fools! if some passions
high have warm’d the world,
If Queens and Soldiers
have play’d deep for hearts,
It is no reason why such
agonies
Should be more common than
the growth of weeds.
Fools! make me whole
again that weighty pearl
The Queen of Egypt
melted, and I’ll say
That ye may love in
spite of beaver hats.
4.2 Poetic Paraphrase
Love is like a dressed up doll, because it is nature
to be nursed by the owner. It is a small matter, yet so fulfilling. Young
people contented by love until they are bored or pleased for whole summer long.
The act of loving is goes on, or easily changes, like fashion style that turned
from Wellington to Romeo boots. Love is like the seventh Cleopatra and Anton’s
love story that well-known around the world. They recklessly love each other
despite of the danger of their royal position. Though their love seems
superficial, people tend to think highly of their story. This superficiality is
proven when they had done a luxurious wager to impress each other and ended with
Cleopatra dissolved her pearl earring. The act of loving is also similar to the
pursuit of beaver hats, people compete for the best one.
5. Discussion
5.1. Imagery
The
writer contends that Modern Love by John Keats contains
kinesthethic imagery and auditory imagery.
5.1.1 Kinesthethic
Imagery
For
idleness to cosset, nurse, and dandle;
(line 2)
Yawning
and doting a whole summer long, (line 6)
In line 2, ‘cosset’, ‘nurse’ and ‘dandle’ are verbs
that shows kinesthethic imageries in loving a doll. According to Oxford
Learner’s Dictionaries, the word ‘cosset’ is “care for and protect in an
overindulgent way”. Nurse is “hold closely and carefully or caressingly”
The word ‘dandle’ is “move an up and down in a playful or affectionate
way” Those act support Keats’s understatement in the first line says
Love is a dressed up doll. The act of loving will arise when someone is having
special bound to the object they love. Doting is an adoration towards someone,
for doing it a whole summer long, loving is a process in a long period of time.
5.1.2 Auditory Imagery
Yawning and doting a whole summer long, (line 6)
Yawn is one of onomatopoeia, a word that mimics the
sound of action, so that it is classified as auditory imagery because it can be
caught by our sense of hearing.
5.2 Understatement
And
what is love? It is a doll dress’d up (line 1)
The
chosen word in first line indicates likeness between love and a dressed up doll
which are childish, fragile, flashy, and desire to show off. In The Art
of Loving (1995:46) Erich Fromm expresses the manner of love “Love
is not primarily a relationship to a specific person; it is an attitude / an orientation of character which
determines the relatedness of a person to the world as a whole, not toward one
"object" of love.” Although
love is an object, the underlying meaning of love is placed in act of loving
itself. We can not love the physical appearance of an object or person, but our
attitude is also important. Understatement meaning of love creates
simplification on the way we can see love trough simple object as a doll. From
this, he exploits what will human do with a doll is similar with the act of
loving.
That silly youth doth think to make itself
The understatement is to think young people are silly
to love someone deeply without knowledge of the ugliness that follows. John
Keats indicates that youth does not know what love is.
It
is no reason why such agonies
Should
be more common than the growth of weeds. (line 13-14)
This supports line 12 that alludes Cleopatra and Mark
Antony, they went through agonies in romantic relationship. Agonies in love are
understated because it is common. Agonies in love receive more consideration
from people than other agonies because its romantic significance though it is
superficial.
5.3 Allusion
And
common Wellingtons turn Romeo boots; (line 8)
Bobbie Kalman mentions Wellington boots in 19Th
Century Clothing (1993:19) “Shoes had low heels, and laces
replaced buckles, which were popular in the eighteenth century. The most common
boots were called Wellington boots, named after the British Duke of Wellington”.
It shows the popularity of Wellington boots that become commonwear. This boots
was named after British Duke of Wellington, as relation to dressed up doll, his
fashion sense was acclaimed by his officers. Romeo boots was also a popular
boots in Victorian era, the shoe trend was shifted from romeo boots to
wellington boots. This line conveys that love is easy to change. We can not
deliberately love someone because there is a urgency to adjust with general
conventions and preference.
Then Cleopatra
lives at number seven,
And Antony resides
in Brunswick Square. (line 9-10)
Cleopatra who lives at number seven give a specific
information about which Cleopatra John Keats alludes. Most people does not know
which Cleopatra they are talking about. In fact, there were seven Cleopatra had
been existed. The most popular and often talked about is Cleopatra VII. Line 9
alludes Mark Antony, Cleopatra lover. Line 9 is also mentions Brunswick Square.
Based on historical records, Brunswick Square is a popular area where prominent
people resides.
If Queens
and Soldiers have play’d deep for hearts, (line 12)
On
the line above John Keats alludes Queen Cleopatra as a queen and Antony as a
soldier. Their love for each other was
dangerous because Mark Antony fooled by false message that Cleopatra was dead,
so that he stabbed himself with sword. Cleopatra was devastated by his death,
years later, killed herself. This is the proof if lover had develop
deep feeling for each other, it would be destructive.
Fools!
make me whole again that weighty pearl
The Queen of Egypt melted, and I’ll say (line 15-16)
On line 15 John Keats give an exclamation for someone
who love and do the act of love is a fool. Whereas weighty pearl refers a wager
between Cleopatra and Mark Antony. Adrian Golsworthy points out this
incident in Antony And Cleopatra by (2010:322) “Cleopatra
took off one of her pearl earrings – the pair were famous for their size and
quality – and dropped it into the bowl. The pearl dissolved into a slush and
she drank the mixture.” The wager is who would serve the rarest and most
exotic banquet between those two. Antony was unimpressed to see ordinary
looking food in front of him. Much to his surprise, Cleopatra dissolved her
weighty pearl in vinegar and drank it. She won the bet with banquet costing
below 2.5 million denarii. The incident between Cleopatra and Mark Antony shows
one of the effects of love is urgency to impress
someone and develop into a competition between lover. Cleopatra did an unnecesary
thing to impress her lover by dissolved a valuable possession that can be used
for greater purposes. In that case, John Keats calls it a fool act, he want to
make that pearl whole again to undo the worthless thing.
That
ye may love in spite of beaver hats. (line 17)
According
to A Dictionary of Costume and Fashion (1999:160) Beaver hat is “Man’s
tall hat made of silk imitation of beaver fur. Same as top hat. Highly
fashionable in 17th century, when made of beaver hat.” High demand for
beaver’s fur made beaver on the verge of extinction. John Keats did observe
fashion trend in the century he was in and use it as allusion. It show human
nature in loving a beautiful object suited with common standard and prestige.
People compete against each other to get the best lover, each showing off who
has the greatest love. In that case, a desire for an object of love can be dangerous
if it is too intense.
6. Conclusion
John Keats equalizes love with dressed up
doll, pretty, yet, vain. In this poem, we can see love as a whole unit, while
the essential elements were analyzed part by part. Love is constructed by
process, the act of loving, is evidence of how far we love someone. Love is
also constructed by human nature to love beautiful thing without willingness to
observe deeper for ugliness that will follow. He gives us simple way to
understand love properly from allusion that dominates Modern
Love. The reader in modern time sees the relatedness because John
Keats uses popular allusion, from
fashion trend, historical place, and popular figures.
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